Resources
References
Abbott, Lynn. 1992. "'Play That Barber Shop Chord': A Case for the African American Origin of Barbershop Harmony." American Music 10, no. 3 (Fall): 289-325.
Allgood, Dexter. 1990. "Black Gospel in New York City and Joe William Bostic, Sr." The Black Perspective in Music 18, no. 1/2 (Fall): 101-115.
Breckenridge, Stan. 2014. African American Music for Everyone: Including Theater, Film, and Dance, 3rd ed. Dubuque, Iowa: Kendall Hunt Publishing.
Dixon, Richard W.M., and John Goodrich. 1982. Blues and Gospel Records. Third edition. Chigwell: Storyville Publications.
DjeDje, Jacqueline Cogdell. 1989. "Gospel Music in the Los Angeles Black Community: A Historical Overview." Black Music Research Journal 9, no. 1 (Spring): 35-79.
Harold, Claudrena. 2017. "Lord, Let Me Be an Instrument: The Artistry and Cultural Politics of Reverend James Cleveland and the Gospel Music Workshop of America, 1963-1991." Journal of Africana Religions 5, no. 2: 157-180.
Jabir, Johari. 2009. "On Conjuring Mahalia: Mahalia Jackson, New Orleans, and the Sanctified Swing." American Quarterly 61, no. 3 (Fall): 649-669.
Jackson, Joyce Marie. 1995. "The Changing Nature of Gospel Music: A Southern Case Study." African American Review 29, no. 2 (Summer): 185-200.
McLaren, Joseph. 1997. "From Protest to Soul Fest: Langston Hughes' Gospel Plays." The Langston Hughes Review 15, no. 1 (Spring): 49-61.
Ruppli, Michel. 1980. The Savoy Label: A Discography (Discographies: Association for Recorded Sound Collections Discographic Reference. Westport: Greenwood Press.
St. Claire Drake and Horace R. Cayton. 1945. Black Metropolis: A Study of Life in a Northern City. San Diego, CA: Harcourt, Bruce and Company.
Wald, Gayle. 2003. "From Spirituals to Swing: Sister Rosetta Tharpe and Gospel Crossover." American Quarterly 55, no.3 (Fall): 387-416.