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Race Music 2 "Hound Dog"


Below is a comparison of Thornton's and Presley's recording of "Hound Dog."

Table 18.1: Comparison of Thornton's and Presley's recording of "Hound Dog"
Title: "Hound Dog"   (1953)
Performer: Willie Mae Thornton
Title: "Hound Dog"   (1956)
Performer: Elvis Presley
LYRICS
The lyrics are metaphorically about a "man." Although she refers to him as a hound dog, with lines such as "Daddy I know, you ain't no real cool cat" and "you ain't lookin' for a woman, all you're lookin' for is a home," she is speaking about a man.
LYRICS
The lyrics are about the animal "hound dog" and how it's no friend of Presley's because he's often crying, is not high class, and has never caught a rabbit.
INSTRUMENTATION

    • Voice, guitar, piano, bass, and drums (and background singers in the recording)

 

    • 01:29: Guitar solo and the singers improvisational provides

 

 

INSTRUMENTATION

    • Voice, guitar, bass, and drums (and background singers in the recording)

 

    • 00:50: Guitar solo and background singers

 

    • 01:18: Guitar Solo and background singers

 

 

TEMPO

    • Moderate (slightly slower than Presley's version)

 

 

TEMPO

    • Moderately fast (faster than Thornton's version)

 

 

VOCAL CHARACTERISTICS

    • Begins singing the song in a recitative manner with the guitar providing the accompaniment

 

    • Sings with a full-throated and guttural sound production at times

 

    • Three-line stanza (blues style)

 

 

VOCAL CHARACTERISTICS

    • Sings with his natural voice, with some guttural sound production at times;

 

    • Three-line stanza (blues style)

 

 

INSTRUMENT CHARACTERISTICS

    • The drummer plays a Latin rhythm (there is no backbeat)

 

    • The guitarist frequently plays a response to the singer's call

 

    • The bassist plays in somewhat of a Latin style where he outlines certain pitches of each chord

 

    • Twelve-bar blues progression

 

 

INSTRUMENT CHARACTERISTICS

    • The drummer plays a strong backbeat (two and four)

 

    • The guitarist occasionally plays a response to the singer's call

 

    • The bassist plays in a Latin style where he outlines one-three-five pitches of each chord;

 

    • Twelve-bar blues progression

 

 

Big Mama Thornton

Big Mama Thornton

The above comparison truly exemplifies the term crossover, as Presley's recording of "Hound Dog" was placed on three different markets, which, as discussed before, are associated with specific geographical areas, people of varied social-economic levels, and Black and White neighborhoods. The latter is significant here as it alludes to the broadcasting power of a given station. Of particular importance are the concepts of "local" versus "clear watt"A radio station able to broadcast to a wide audience, geographically speaking. stations. Local stations are just that; their broadcasting power is not broad and is centralized based on its demographics. In comparison, clear watt stations have substantial broadcasting power and thus can reach a vast audience nationwide.

Big Mama Thornton's "Hound Dog"

The lyrics are metaphorically about a "man," Although she refers to him as a hound dog, with lines such as "Daddy I know, you ain't no real cool cat" and "you ain't lookin' for a woman, all you're lookin' for is a home" she is speaking about a man.

Elvis Presley's "Hound Dog"

The lyrics are about the animal "hound dog" and how it's no friend of Presley's because he's often crying, is not high class, and has never caught a rabbit.