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1. Ālāp (introduction)

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 00:49-01:22 ]00:33

Drone

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 00:00-00:08 ]00:08

Singer enters with the ascending and descending tone-sequence (for demonstration purposes only):

Ascending and Descending Tone Sequence

Ascending and Descending Tone Sequence

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 00:08-00:49 ]00:41

Ālāp proper begins:improvised vistār (melodic expansion)

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 00:49-01:10 ]00:21

Scale degree 5 established

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 00:49-01:10 ]00:21

Singer returns to tonic

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 01:20-01:22 ]00:03

2. Bandiś (composition)

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 01:22-02:15 ]00:53

Sthāyī: first line Bijurī camake garaje barase, first syllable of garaje falling on sam ('Lightning flashes, rainfalls in the thunderstorm.') Tablā enters.

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 01:22-01:33 ]00:11

Sthāyī lines 2-3: meharavāāī badariyā, garaja garaja mohe ata hī ḍarāve. ('The clouds are bringing rain. The thunder really frightens me.')

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 01:33-01:42 ]00:09

Antarā: Ghana garaje ghana bijurī camake/ papīhā piyu kī ḍera sunāē/ kā kar kita jāv/ morā jiyarā laraje. ('The clouds roar, the heavy lightning flashes. The papīha bird keeps repeating 'piyu' (beloved). What can I do, where can I go? My heart trembles.)

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 01:42-01:49 ]00:07

3. Upaj (improvisation)

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 02:19-04:28 ]02:09

Improvisation on the first Sthāyī phrase Bijurī camake garaje barase. Singer develops scale-degree 5 (continuing vistār from 1.10) to the word barase 'rain'

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 02:19-02:28 ]00:09

Improvisation (sung to ā) ascending to flat 7, followed by improvisation on words and melodic development, touching 1 twice briefly before descendng

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 02:28-02:48 ]00:20

Repetition of first phrase Bijurī camake garaje barase, first syllable of garaje falling on sam

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 02:48-02:53 ]00:04

Improvisation continues on words Bijurī camake 'Lightning flashes' Melodic development reaches high 1

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 02:53-03:07 ]00:13

Short passage of free improvisation sung to ā reaches high 4 (3:12), followed by further improvisation on Bijurī camake (3:15), descending to link with sthāyī

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 03:07-03:23 ]00:16

Sthāyī, first phrase Bijurī camake garaje barase, first syllable of garaje falling on sam

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 03:23-03:29 ]00:06

Tān 1 (sung to ā)

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 03:29-03:41 ]00:12

Tān ends with single word bijurī

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 03:41-03:42 ]00:01

Tān 2 (sung to ā), ascending to high 4 before gradually descending

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 03:42-03:53 ]00:12

Tān 3 (sung to ā)

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 03:57-04:06 ]00:08

Sthāyī, first phrase Bijurī camake garaje barase, first syllable of garaje falling on sam Sthāyī, first phrase Bijurī camake garaje barase,first syllable of garaje falling on sam

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 04:06-04:09 ]00:03

Tān 4 (sung to bijurī camake) - short, sung softly, ending with a tihāī

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 04:09-04:13 ]00:04

Final repetition of Sthāyī, first phrase Bijurī camake garajebarase, first syllable of garaje falling on the last sam

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 04:13-04:17 ]00:04

Tablā finishes on sam; Singer extends final phrase in free tempo

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 04:17-04:29 ]00:13

Drone fades to finish

Composer: Vidyadhar Vyas

  • "Khyal in Raga Miyan ki Malhar" [ 04:29-04:35 ]00:06

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"There is not a single aspect of [Indian village] life which does not have its music."

-Manfred M. Junius
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"For us, Hindu music has above all a transcendental significance. It disengages the spiritual from the happenings of life; it sings of the relationship of the human soul with the soul of things beyond."

-Sir Rabindranath Tagore, Indian poet
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Fun Facts

Music practiced in conjunction with Vedic liturgy is called celestial music.

Fun Facts