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Ragtime 3


In general, and with Joplin's works as models, most published piano rags share structural features with the march and other duple-meter dances: multiple repeated eight- or sixteen-bar strains and an internal modulation in a trio-like section. Thus, for example, in the iconic " Maple Leaf Rag ," Joplin provides four sixteen-bar strains as follows: AABBACCDD. Beginning in the key of A-flat major, the C section, clearly marked in the score as the "trio," modulates to the subdominant D-flat major before returning to A-flat major in the fourth and final strain. In addition, Joplin's melodies feature the most common syncopated rhythm of short-long-short long-long (Example 1) and tied notes over bar lines (Example 2).

Example 1: Syncopated rhythm of short-long-short long-long

Example 1: Syncopated rhythm of short-long-short long-long

Example 2: Tied notes over bar lines

Example 2: Tied notes over bar lines

Joplin's rags show his fondness for harmonic inventiveness, for instance, in the flat-sixth sonority prominently placed in the fifth measure of "Maple Leaf Rag." Overall, his works balance idiomatic piano writing with a virtuosic display that is well suited to the developing capabilities of the instrument at the time.

Before listening again to " Maple Leaf Rag," see how much you can recall concerning the essential musical characteristics of a typical rag by reviewing the following musical features of classic ragtime:

  • Multi-theme music (usually four themes, grouped as ABACD or ABCD).
  • It has simple syncopation: the music was rarely rhythmically complex.
  • It has an affinity to European art music: classic ragtime follows specific harmonic patterns that reflect the key relationships between sections.
  • Recapitulation (return to the theme statement) was mandatory.
  • Usually, the compositions had sixteen-measure segments, divided into four equal parts.
  • The left hand was supportive and never syncopated.
  • The harmonic movement was essentially that of tonic to dominant (I to V).
  • Ragtime was essentially music composed for the piano.
  • Ragtime was music that descended from the cakewalk, coon songs, and minstrelsy.
  • Ragtime music was hard, bright, cheerful, and machine-like.
  • Ragtime music was at its height between 1900 and 1920.
An advertisement for Scott Joplin

An advertisement for Scott Joplin's Maple Leaf Rag from the back page of a rag by Joseph Lamb. Both published with Stark's firm.

James H. Dorman

[T]he coon song "was a manifestation of a peculiar form of the will to believe - to believe in the signified 'coon' as represented in the songs - as a necessary socio-psychological mechanism for justifying segregation and subordination."

Reese Europe

In my opinion, there never was any such music as "ragtime." "Ragtime" is merely a nickname, or rather a fun name given to Negro rhythm by our Caucasian brother musicians many years ago.